Navigate the complexities of high-end film production in Japan through strategic international collaborations, specialized crew roles, and equipment considerations, paving the way for exceptional cinematic achievements.
Discover how DFS Productions transforms communication with AI-powered real-time interpretation, cutting costs and enhancing client satisfaction.
Explore the importance of time constraints and budgeting in equipment rental, offering insights into efficient project planning and the potential need to decline unrealistic projects for the sake of quality.
Filmmaking in Japan is as exciting as it is challenging. Understand the vital role of production insurance in the Japanese film industry with this in-depth guide from DFS Productions.
DFS Productions introduces the Light Videographer Service, a unique approach to video production. With an emphasis on mobility and quality, this service promises to transform how your stories are told, offering flexibility and professional results at an affordable price.
Location scouting is an indispensable aspect of film production, often overlooked in the digital age. This article discusses its importance, shares a case study, and highlights the value of working with experienced production support providers.
Today, over a cup of coffee, I can’t help but get excited about the potential of AI and how it could revolutionise the film industry. As the founder of my […]
Drone flights in Japan face increasing restrictions and a complex regulatory landscape. With new laws constantly being added or updated, obtaining permission for even small flights can require a lengthy and formal process. In this post, we explore the challenges of flying drones in Japan and provide insights into a recent project that required special permission. If you’re considering drone services in Japan, read on to learn what to expect and how to prepare.
The light is not so much manipulated as it is perfectly controlled. I don’t think it is possible to manipulate light perfectly outdoors, but it is possible to manipulate light to a certain extent indoors by blocking out all ambient light. What should be praised, however, are the unintended effects of changes in time and place that cannot be captured intentionally, and I do not necessarily believe that a beautiful visual world can be created if everything is done exactly as thought out in the mind.
Traditionally, a large amount of CM/documentary-production demands from foreign productions to local crew have been concentrated on supportive tasks like AC, camera, gaffer, sound recordist, PA and the like. […]